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Macushla Robinson is faculty in the department of Art and Art History, and Director of the Contemporary Art Galleries, at the University of Connecticut. With a background in museums, she received her doctorate in Politics in 2023. She is the founder of Interstitial Press, and has published widely in exhibition catalogues, book chapters and journal articles.

 

 

EXHIBITIONS

 

Woman, Wearing Ring, Shields Face From Flash

Odette England

29 November 2023 - 8 March 2024

The Contemporary Art Galleries, University of Connecticut, Storrs

And all that remained was her beauty

Kim Hoeckele, Shanta Lee, Cheri Magid & Sarah Baskin

September 14 - October 20, 2023

The Contemporary Art Galleries, University of Connecticut, Storrs

 

Rewriting: The Politics of Care

Katherine Hattam, Victoria Hattam, Ellen Koshland, Danica Knezevic, Macushla Robinson, Shevaun Wright, Elvis Richardson, Gyun Hur

Curated by Macushla Robinson

Bus Projects, Melbourne

6 - 25 November 2021

 

After you're done

Sarah Sudhoff & Joe Broughton

Co-curated with Andrea Klabanova

Pioneer Works, Brooklyn

Sep 22 – Nov 12, 2017

Migration of Flora

Drawings and paintings by Jumaadi

April 12 – May 4, 2023 

The Contemporary Art Galleries, University of Connecticut, Storrs

 

In the historical present

Daniel Bejar, Sheila Bridges, Benjamin van Buren, Black Lunch Table, Lucia Cuba, Domestic Performance Agency, Nikita Gale, Jonathan Gardenhire, Camilo Godoy, David Hammons, Matthew Jensen, Sue Jeong Ka, Glenn Ligon, Caroline Woolard, Shevaun Wright.

Curated by Anna Harsanyi and Macushla Robinson

Anna-Maria and Stephen Kellen Gallery, The Sheila Johnson Design Center, The New School

June - October 2019

 

See you at the barricades

Vernon Ah Kee, Richard Bell, Breadline Posters, VALIE EXPORT, Marco Fusinato, Guerrilla Girls, Richard Hamilton, Sharon Hayes, Thomas Hirschhorn, John Hughes & Peter Kennedy, Mathew Jones, Pat Larter, Lucifoil Poster Collective, Billy Maynard, David McDiarmid, Earthworks Poster Collective, Yasumasa Morimura, Raquel Ormella, Redback Graphix, Redletter Press, Martha Rosler, Truong Singh, Women’s Domestic Needlework Group

The Art Gallery of NSW, Sydney

30 May – 29 November 2015

The Map and the Territory

A project by Sara Morawetz at the Contemporary Art Galleries, University of Connecticut

January 31 – March 23, 2023

The Contemporary Art Galleries, University of Connecticut, Storrs

 

Memory is a tough place

American Artist, Renée Cox, Wendy Ewald, Ben Fernandez, Lyle Ashton Harris, Rashid Johnson, Brian Lanker, Glenn Ligon, Lorna Simpson, Sable Elyse Smith, Carrie Mae Weems

Anna-Maria and Stephen Kellen Gallery, Sheila Johnson Design Center, The New School,

June 29 - September 3, 2017

 

Francis Bacon, Five Decades

Art Gallery of New South Wales

(Assistant curator, curated by Anthony Bond OAM), 2012         

PUBLICATIONS

Books - edited volumes and solo projects

 

Every Rape in the Met Museum. Broadwater, QLD: in·ter·sti·tial press, 2022

 

Rewriting: The Politics of Care. exh. cat. Broadwater, QLD: in·ter·sti·tial press, 2021

 

Decameron. Edited by Ben Van Buren and Macushla Robinson. Yonkers: Yonkers International Press, 2020

Book chapters

 

Nothing Ever Goes Away in Lichtman, Sarah A and Jilly Traganou, Design, Displacement and Migration: Spatial and Material Histories London: Routledge, 2023

 

Labours of love: women's labour as the culture sector's invisible dark matter in Permanent Recession: A Handbook on Art, Labour and Circumstance, Onomatopea: Unicum, Netherlands, 2019.

First published in Runway Australian Experimental Art, Issue 32 (re)production, December 2016 : featured on E-Flux Conversations

 

Selected peer-reviewed articles and conference papers


 

Labouring Under the Sign of the Future’ in Megan Patty (ed.) She Persists: Gender and Protest NGV: Melbourne, Victoria, 2020

 

David Noonan: A heartfelt familiarity in exh. cat. Natasha Bullock (ed), We used to talk about love AGNSW: Sydney, 2013

 
 

Private Realm Designing in Dark Times: An Arendtian Lexicon. London: Bloomsbury, 2020.

 

Catalogue entries in exh. cat. Anthony Bond (ed), Francis Bacon: Five Decades AGNSW: Sydney, 2012

The Hidden Histories of Heirlooms: Slavery, Decorative Arts, and the Domestic Labor of Forgetting peer-reviewed paper in Maria Rice Bellamy and Karen Weingarten (eds), Women’s Studies Quarterly, Vol. 48, No’s. 1-2: Inheritance: An interdisciplinary study of inheritance, considering complications of gender, sexuality, race, and immigration in transgenerational transfers. Spring/Summer, 2020

Francis Bacon’s Gender Trouble Bacon’s Bodies Symposium Art Gallery of NSW, 2013


Selected articles, reviews and opinion

 

Forthcoming - Blind Obedience

 

True to the Paradox: An Exhibition for the Centennial of a Contradiction in Public Seminar, August 21, 2019

 

Living the Past Within the Present: Australian Artists at Performa 15 in Broadsheet 41.5, 2015

In the wake of museul whiteness, presented at Anywhere & Elsewhere 2018: biennial conference in New York November 15–16, 2018 and published in conference proceedings.


 

Review: It’s Pablo-matic: Picasso According to Hannah Gadsby Artist Profile Issue 64, October 2023

 

To One A Century Hence in The Vera List Center for Art and Politics Writing Award brochure, 2016

 

Nalini Malani: in the shadow of partition in Art Monthly 256 2012/13

Tarnish in Black One Shot (BoS 4.3) ASAP Journal, July 2018

 
 

Profile: The Second Isn’t Long Enough: An Interview with Sara Morowetz in Artist Profile Issue 35, 2015

 

Sharpness of the senses: the subtle politics of Hu Xiaoyuan in ArtAsiaPacific Issue 88 May/June 2013